demo

Friday, June 20, 2025

True West Presents:

Panchiko

Tanukichan

6:30pm doors, 8pm show

$31 Advance, $35 Day Of

All ages welcome

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Panchiko

Panchiko

Panchiko is beginning to settle into rockstar life. It’s different from how the UK band imagined it when they were teens, crafting ethereal, at times cosmic bits of heart-forward rock music to little outside interest, playing shows to nearly empty rooms. They set aside their hopes of becoming full-time musicians and pursued other careers. Their high school artistry became a distant memory. But that all changed in 2016 when an internet user discovered Panchiko’s discarded 2000 demo CD, D>E>A>T>H>M>E>T>A>L, in a Nottingham charity shop and posted it to 4chan to intrigue and fanfare. It took four years for Panchiko’s legions of dedicated fans to find the people behind the music, but when they did, Panchiko’s long let-go-of dreams became an imperative to pursue. Millions of curious listeners were swaying to their adolescent creations; it was time for them to meet their moment.

Panchiko — which reformed in 2021 with original members Andy Wright (keyboardist and producer), Owain Davies (vocalist and guitarist), and Shaun Ferreday (bassist) alongside new members Robert Harris (guitarist) and John Schofield (drummer) — pursued their new path with vigor. Upon discovering their own virality in 2020, they toured the world and wrote, recorded, and released their first album in 20+ years, 2023’s Failed At Maths. But after the thrill of the whirlwind came a new question. What comes next when your dreams come true? The answer is Ginkgo, a 13-track project that finds the band making some of their most introspective, cinematic, and moving music yet.

“The whole production has gone up ten-fold,” says Wright of the new album. They were finally able to quit their day jobs and dedicate themselves to music full-time, which changed their process completely. “If you have a bit of time, you can make something really great.” Plus, the band got their own studio in Nottingham, which they refer to as their “teenage dream.” With time and space, making Ginkgo became a very different, slower process than the creation of Failed at Maths, which they recorded while balancing their nascent music career with day jobs — alongside the stuff of life, like the birth of Wright’s child.

You can hear the result of this slower approach on tracks like “Chapel of Salt,” where the lyrics have a gravelly wisdom. “Obsolescence, greatest lessons/ You can’t afford to miss/Don’t go quietly in the night see/You’re too good for this,” sings Davies in a steady register, before the music veers towards the stars. Here too, the music feels bigger than Panchiko’s earlier work which was colored by a bedroom intimacy. The sonic and lyrical scale is grander, but maybe a bit more weary and lived-in as well.

The lessons of experience were on the band's mind. After touring the world with songs they had written as teenagers, Panchiko was beginning to craft music that reflected their current, more adult reality, like on “Lifestyle Trainers,” a drifty swirl of guitar plucks and synth pads that finds the band reflecting on the winding road of long term commitment. But even as Panchiko explored the particulars of middle age, the teenage versions of themselves (the versions that wrote D>E>A>T>H>M>E>T>A>L) were still floating in their minds, especially given the fact that Panchiko’s fans skew younger themselves. That’s clear on album standout “Shandy In The Graveyard” (featuring billy woods) which Davies shares “came from [him] reconnecting with the feeling of being the age of the audience that comes to see [them].” That youthful spirit can be felt in the song’s sonic world, as its production genre shifts between trip-hop and orchestral folk.
Woods’s inclusion is fitting given that American artists and the experience of touring throughout the States has made an indelible impression on Ginkgo. Most of Panchiko’s fans reside in the States, a place they had little connection to before their virality. “We don't normally do a lot of shows in England, because nobody likes us there,” jokes Wright. “We were too ahead of the time.” Seeing the expanse of a foreign country brought out new sounds and textures for the crew. It’s apt then that the album opener is titled “Florida.” “I was playing around with some samples in the van whilst we were driving through Florida,” remembers Davies of creating the track. “Writing on the road is cool because you don’t have all the toys in your toy box. You’re using what you got.” That makes sense given that “Florida” is marked by a diverse set of sounds and musical leaps, a vast landscape of guitar flourishes, and almost alien sonic textures.

New places, a new generation of listeners, a whole new life — the shock of their circumstances often leads Panchiko to reflect on the youth they’ve lost since they recorded their high school demo. “We had to delete ‘My Mortgage Repayments Are Going Up,’” laughs Wright, offering a sarcastic song title. And while they decidedly did not record an album about the tedium of adult living, they did make a record that truthfully reflects their grounded station in life. That was bolstered by the fact that Panchiko made the record largely at home in Nottingham. With that, the simple promises of home are evoked in every moment of the record, and on the cover — a picture of Wright’s young daughter that she took herself. “She had just turned two at that point. She ran off with my phone and our album cover was done,” Wright shares. Even though they paid an artist a hefty advance to make original artwork, they decided to forgo that art for the picture. It said it all. “It’s pure,” adds Davies. “It’s not contrived in any way.”

The cover is an invitation to consider the expanse of Panchiko’s experience, from adolescence and teenage artistry onward. The same wrenching honesty that attracted legions of fans to their teenage demos is the same truthful ethos that keeps them listening to new material. That full-hearted ethos may be most audible on the title track, “Ginkgo.” On it, Davies sings “You command the leaves to fall/The Ginkgo bends at will.” A rumination on the limits of control, collaboration, and fate, the song is an apt meditation for a band whose resurgence came about through a mix of luck, artistry, and then clear-eyed energy. They couldn’t “command the leaves to fall” when they were teens trudging up the improbable hill of rock star success, and they still can’t. But like the Ginkgo tree itself, their roots grow deep, which makes the going all the easier.

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

 

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
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Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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